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αž˜αŸ‰αžΆαžšαžΈαž›αžΈαž“αž”αŸαž“αžΈαžαŸαžŸ

  • αžŸαž˜αžΆαž‡αž·αž€αž€αŸ’αžšαž»αž˜αž”αŸ’αžšαžΉαž€αŸ’αžŸαžΆαž—αž·αž”αžΆαž›αžšαž”αžΆαŸ†αž”αŸ’αžšαžαž·αž”αžαŸ’αžαž·
  • αž“αžΆαž™αž€αžšαž”αžΆαŸ†αžαŸ†αž”αž“αŸ‹
  • αž’αŸ’αž“αž€αžαŸ’αžšαž½αžαž–αž·αž“αž·αžαŸ’αž™αž‡αžΆαžαž·
  • αž‡αžΆαž˜αž½αž™αžŸαŸ’αž‘αžΌαžŒαžΈαž™αŸ„αžšαž”αžΆαŸ† Fred Astaire αžαžΆαŸ†αž„αž–αžΈαž†αŸ’αž“αžΆαŸ† ៑៩៩៨

BIO

Marylynn Benitez was first introduced to the world of Ballroom dancing while attending the University of Southern California, where she became a member of its Formation Dance Team, headed by Carol Montez. She continued as an Amateur competitor in the International Latin Style. Her Amateur career culminated in becoming the US National Champion and representing the US in three consecutive World Championships. As a Professional competitor, she earned Championship Titles in the US and internationally, including US Rising Star International Latin Champion, British Rising Star International Latin Champion and Fred Astaire International Latin Champion. Other professional achievements include choreography and roles in movies and television productions. She has also had the opportunity to share her expertise in the University arena. Marylynn has been a part of the Fred Astaire Dance Studios family since 1993 as a Competitor, Instructor, Studio Owner, Coach, National Dance Board Member, National Adjudicator and National Examiner.

αžŸαž˜αž·αž‘αŸ’αž’αž·αž•αž›

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  • αž€αŸ’αžšαž»αž˜αž”αžΆαž›αŸ‹αž”αŸ„αŸ‡αž‘αžΆαžαžΆαŸ†αž„αž…αž»αž„αž€αŸ’αžšαŸ„αž™αžšαž”αžŸαŸ‹αž€αŸ’αžšαž»αž˜ Blackpool
  • αžαŸ†αžŽαžΆαž„αž±αŸ’αž™αžŸαž αžšαžŠαŸ’αž‹αž’αžΆαž˜αŸαžšαž·αž€αž€αŸ’αž“αž»αž„αž€αžΆαžšαž”αŸ’αžšαž€αž½αžαž€αŸ’αžšαž»αž˜ Blackpool
  • αž’αžΆαž˜αŸαžšαž·αž€αž…αž»αž„αž€αŸ’αžšαŸ„αž™αž‘αžΆαžαžΆαŸ†αž„
  • αž‡αžΎαž„αž―αž€αž‘αžΆαžαžΆαŸ†αž„αž’αžΆαž˜αŸαžšαž·αž€αž‘αžΆαž‘αžΈαž“
  • αž’αŸ’αž“αž€αžˆαŸ’αž“αŸ‡αž€αžΆαžšαž”αŸ’αžšαž€αž½αžαž”αžΆαž›αŸ‹αž•αŸ’αž€αžΆαž™αž’αžΌαž αŸƒαž’αžΌαž“αž·αž„αž‡αžΆαž’αŸ’αž“αž€αž…αŸ†αžšαŸ€αž„αž‘αŸ„αž›αž“αŸ…αž€αŸ’αž“αž»αž„αž‘αžΌαžšαž‘αžŸαŸ’αžŸαž“αŸαž—αžΈαž’αŸαžŸαž”αŸŠαžΈαž’αŸαžŸ
  • αž‡αžΎαž„αž―αž€αž’αž“αŸ’αžαžšαž‡αžΆαžαž·αž‘αžΆαžαžΆαŸ†αž„ Fred Astaire
  • αž’αŸ’αž“αž€αžαŸ’αžšαž½αžαž–αž·αž“αž·αžαŸ’αž™ Fred Astaire
  • Collaborated in the creation of the Fred Astaire Dance Studios’ Silver and Gold Level Syllabus, and Demonstrator in the Silver Syllabus DVDs
  • αž‡αŸ†αž“αž½αž™αž€αžΆαžšαž’αŸ’αž“αž€αžšαž”αžΆαŸ†αž“αž·αž„αž‡αžΆαž’αŸ’αž“αž€αžšαž”αžΆαŸ†αžŠαŸ‚αž›αž›αŸαž…αž’αŸ’αž›αŸ„αž“αŸ…αž€αŸ’αž“αž»αž„αžαŸ’αžŸαŸ‚αž—αžΆαž–αž™αž“αŸ’αž αžŸαžΆαž›αŸ‹αžŸαžΆ αž“αž·αž„ αžšαžΆαŸ†β€‹αž‡αžΆαž˜αž½αž™β€‹αžαŸ’αž‰αž»αŸ†

αžαŸ†αž”αž“αŸ‹αž“αŸƒαž”αž‘αž–αž·αžŸαŸ„αž’αž“αŸ

  • αž‘αžΆαžαžΆαŸ†αž„αž’αž“αŸ’αžαžšαž‡αžΆαžαž·
  • αž…αž„αŸ’αžœαžΆαž€αŸ‹αž’αžΆαž˜αŸαžšαž·αž…
  • αž’αžΆαž˜αŸαžšαž·αž…αžšαž›αŸ„αž„
  • αž€αŸ’αž”αžΆαž…αŸ‹αžšαžΆαŸ†
  • αžœαž·αž‰αŸ’αž‰αžΆαž”αž“αž”αŸαžαŸ’αžšαžœαž·αž‡αŸ’αž‡αžΆαž‡αžΈαžœαŸˆ

Marylynn Benitez is part of the prestigious αž€αŸ’αžšαž»αž˜αž”αŸ’αžšαžΉαž€αŸ’αžŸαžΆαžšαž”αžΆαŸ†αž’αž“αŸ’αžŠαžšαž‡αžΆαžαž·αž αŸ’αžœαŸ’αžšαŸαžŠαž’αžΆαžŸαŸ’αžαžΆαžšαŸ€αžŸαŸ’αž‘αžΌαžŒαžΈαž™αŸ„αžŠαŸ‚αž›αžαŸ’αžšαž½αžαž–αž·αž“αž·αžαŸ’αž™αž€αžΆαžšαž”αžŽαŸ’αžαž»αŸ‡αž”αžŽαŸ’αžαžΆαž›αž“αž·αž„αžœαž·αž‰αŸ’αž‰αžΆαž”αž“αž”αŸαžαŸ’αžšαž‚αŸ’αžšαžΌαž”αž„αŸ’αžšαŸ€αž“αžšαž”αžΆαŸ†αž…αŸ…αž€αŸ’αžšαž˜ (αž’αžΆαž‡αžΈαž–αž’αŸ’αž“αž€αžŸαŸ’αž˜αŸαž‚αŸ’αžšαž…αž·αžαŸ’αžαž‚αžΆαŸ†αž‘αŸ’αžš/ធេម) αž“αŸ…αž–αŸ’αžšαžΉαžαŸ’αžαž·αž€αžΆαžšαžŽαŸαžαŸ’αž“αžΆαž€αŸ‹αž‡αžΆαžαž·αžαŸ’αž“αžΆαž€αŸ‹αž‡αžΆαžαž·αž“αž·αž„αž’αž“αŸ’αžαžšαž‡αžΆαžαž·αž αŸ’αžœαŸ’αžšαŸαžŠαž’αžΆαžαžΆαž’αžΆαžšαŸ€αžŸαŸ’αž‘αžΌαžŒαžΈαž™αŸ„αž–αŸ’αžšαžΉαžαŸ’αžαž·αž€αžΆαžšαžŽαŸαž”αŸ’αžšαž€αž½αžαž”αŸ’αžšαž‡αŸ‚αž„αž”αž„αŸ’αžœαžΉαž€αžŸαž·αžŸαŸ’αžŸαž“αž·αž„αž‚αŸ’αžšαžΌαžšαž”αžŸαŸ‹αž™αžΎαž„αž™αŸ‰αžΆαž„αžŸαž€αž˜αŸ’αž˜αž“αŸ…αž€αŸ’αž“αž»αž„αž‘αžΈαžαžΆαŸ†αž„αžŸαŸ’αž‘αžΌαžŒαžΈαž™αŸ„αžšαž”αžΆαŸ†αž“αŸ…αž‘αžΌαž‘αžΆαŸ†αž„αž”αžŽαŸ’αžαžΆαž‰αžšαž”αžŸαŸ‹αž™αžΎαž„αž“αž·αž„αž–αž·αž“αž·αžαŸ’αž™αž‘αžΎαž„αžœαž·αž‰αž‡αžΆαž”αž“αŸ’αžαž”αž“αŸ’αž‘αžΆαž”αŸ‹ αž€αž˜αŸ’αž˜αžœαž·αž’αžΈαžŸαž·αž€αŸ’αžŸαžΆαžšαž”αžΆαŸ†αž˜αžΆαž“αž€αž˜αŸ’αž˜αžŸαž·αž‘αŸ’αž’αž·αžšαž”αžŸαŸ‹αž™αžΎαž„αžŠαžΎαž˜αŸ’αž”αžΈαž’αžΆαž“αžΆαž”αžΆαž“αžαŸ‚αž€αž˜αŸ’αž˜αžœαž·αž’αžΈαž›αŸ’αž’αž”αŸ†αž•αž»αžαž“αž·αž„αž‘αžΆαž“αŸ‹αžŸαž˜αŸαž™αž”αŸ†αž•αž»αžαžŸαž˜αŸ’αžšαžΆαž”αŸ‹αž“αž·αžŸαŸ’αžŸαž·αžαžšαž”αžŸαŸ‹αž™αžΎαž„αŸ” αžŸαž˜αŸ’αžšαžΆαž”αŸ‹αž–αŸαžαŸŒαž˜αžΆαž“αž”αž“αŸ’αžαŸ‚αž˜αž’αŸ†αž–αžΈαž€αŸ’αžšαž»αž˜αž”αŸ’αžšαžΉαž€αŸ’αžŸαžΆαžšαž”αžΆαŸ†αž’αž“αŸ’αžŠαžšαž‡αžΆαžαž·αž αŸ’αžœαŸ’αžšαŸαžŠαž’αžΆαžŸαŸƒαžšαžΊαž¬αžŸαž˜αžΆαž‡αž·αž€αžŽαžΆαž˜αŸ’αž“αžΆαž€αŸ‹αžŸαžΌαž˜ αž‘αžΆαž€αŸ‹αž‘αž„β€‹αž˜αž€β€‹αž–αž½αž€β€‹αž™αžΎαž„.